Gustav Klimt
Austrian Art Nouveau Painter, 1862-1918
Gustav Klimt (July 14, 1862 ?C February 6, 1918) was an Austrian Symbolist painter and one of the most prominent members of the Vienna Art Nouveau (Vienna Secession) movement. His major works include paintings, murals, sketches, and other art objects, many of which are on display in the Vienna Secession gallery. Klimt's primary subject was the female body, and his works are marked by a frank eroticism--nowhere is this more apparent than in his numerous drawings in pencil.
Klimt's work is distinguished by the elegant gold or coloured decoration, often of a phallic shape that conceals the more erotic positions of the drawings upon which many of his paintings are based. This can be seen in Judith I (1901), and in The Kiss (1907?C1908), and especially in Danaë (1907). One of the most common themes Klimt utilized was that of the dominant woman, the femme fatale. Art historians note an eclectic range of influences contributing to Klimt's distinct style, including Egyptian, Minoan, Classical Greek, and Byzantine inspirations. Klimt was also inspired by the engravings of Albrecht D??rer, late medieval European painting, and Japanese Rimpa school. His mature works are characterized by a rejection of earlier naturalistic styles, and make use of symbols or symbolic elements to convey psychological ideas and emphasize the "freedom" of art from traditional culture. Related Paintings of Gustav Klimt :. | The Beethoven | fabel | Portrait of Fritza Riedler (mk12) | Vienna (mk20) | Malcesine on Lake Garda | Related Artists: BALDUNG GRIEN, HansGerman Northern Renaissance Painter and Printmaker, ca.1484-1545 Wolfgang Heimbach c.1600/1615-after 1678, German painter. The son of a bookkeeper at the corn exchange, he was known because of a disability as 'the Ovelg?nne mute'. An aristocratic sponsor, probably Graf Anton G?nther (1603-67) of Oldenburg, sent him to train in the Netherlands: stylistic considerations would suggest that this was in the 1630s. The Evening Scene (1637; ex-art market, Berlin; G?ttsche, no. 8) shows him adapting the style of Caravaggio as practised in Utrecht to the kind of social gathering depicted by Dirck Hals or Anthonie Palamedesz. He uses an artificial light source to exaggerate the modelling of the figures and the space. This characteristic of his art also shows in the Evening Banquet of 1640 Emil CarlsenDanish-born American Painter, 1853-1932
Soren Emil Carlsen (1853 ?C 1932) was an American painter associated with the Cos Cob Art Colony.
Carlsen painted primarily landscapes and still lifes. His fastidiously painted still lifes are influenced by Chardin and often depict copper pans, game, or flowers. He was an art teacher for over fifty years; his students included James Swinnerton.
|
|
|